Biografia i sztuka. O dwóch „Samarytankach” Jacka Malczewskiego
DOI:
https://doi.org/10.24425/rhs.2023.147052Słowa kluczowe:
Jacek Malczewski, Samarytanka, symbolizmAbstrakt
The article discusses Jacek Malczewski’s paintings based on the Gospel, in which the artist depicts Christ giving him his own face. It presents a new interpretation of the paintings from this group, taking as an example two versions of the theme ‘Christ and the Samaritan Woman’. The works were analysed in the context of the artist’s often declared attachment to the teachings of the Catholic Church, in relation to the iconographic tradition and because of the planimetric features of their visual structure. In conclusion, the paintings were considered as a means for the viewer to both recognise the autonomy of art in relation to the biographical context, and to turn towards the universal message of the Gospel.Pobrania
Opublikowane
2023-03-30
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Prawa autorskie (c) 2025 Michał Haake

Utwór dostępny jest na licencji Creative Commons Uznanie autorstwa – Na tych samych warunkach 4.0 Miedzynarodowe.
English
Język Polski